Códigos de representación: Néstor Emilio Maragua Pascuas

Jaime Ruiz Solórzano

doi:10.25054/01240307.1524

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Ruiz Solórzano, J. (2016). Representation codes: Néstor Emilio Maragua Pascuas. Paideia Surcolombiana, 21(21), 164–170. https://doi.org/10.25054/01240307.1524

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Published: Dec 1, 2016

Doi

https://doi.org/10.25054/01240307.1524

Dimensions

PlumX

Issue

No. 21 (2016): January - December

Section

Article of refelection

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When submitting the articles, the author or authors agree to transfer the copyright to the Paideia Surcolombiana Journal, for its publication and dissemination in printed or electronic version.

The statements and opinions and expressed in the articles belong to the authors in question and do not represent the opinions and scientific policy of the School of Education in Universidad Surcolombiana.

This work is under license Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0.

Jaime Ruiz Solórzano

Universidad Surcolombiana

Abstract

This paper deals with the artistic practice of Néstor Emilio Maragua Pascuas, who contributes part of the images corresponding to the pictorial project entitled "Signals"(2012-2014), to design the cover art and illustrate the articles of this edition of the Journal Paideia Surcolombiana. The text traces a trajectory semblance of the artist’s work and cultural activity;recognizes the technical, formal and conceptual coherence of his work; makes an approximation to the meaning of two of his stages as a creator, where the
references to the urban landscape and the connections with the Ullumbe Culture, better known as the Augustinian Culture, are highlighted

Keywords

Art

creative trajectory

artistic practice,

urban landscape

Ullumbe Culture

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Author Biography / See

Jaime Ruiz Solórzano, Universidad Surcolombiana

Doctorando en estudios sociales, Universidad Externado de Colombia

Docente Universidad Surcolombiana

Programa licenciatura en educación artística y cultural

References

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Banco de la República (2015). Imagen Regional 8 - Honda, Ibagué y Neiva. Bogotá. Disponible en http://www.banrepcultural.org/imagen-regional/honda-ibague-neiva. Consultada septiembre 9 de 2017.

Barney-Cabrera, Eugenio (1983). San Agustín un pueblo de escultores. En Historia del Arte Colombiano, Vol. 1. Barcelona: Salvat.

Gómez Moreno, Pedro Pablo y Mignolo, Walter (2012). Estéticas y opción decolonial. Bogotá: Universidad Distrital Francisco José de Caldas.

Guasch, Ana María (2007). Arte último del siglo XX. Del postminimalismo a lo multicultural. Madrid: Alianza.

Krauss, Rosalind E. (1997). El inconsciente óptico. Madrid: Tecnos.

Maragua Pascuas, Néstor Emilio (2017). Comunicación escrita. Neiva: Documento de internet, Septiembre 9 de 2017.

Ruiz Solórzano, Jaime (2006). Catálogo 11 Salones Regionales y 40 Salón Nacional de Artistas. Proyecto curatorial Tendencias dominantes y emergentes en la Región Sur de Colombia. Bogotá: Artes Visuales-Ministerio de Cultura.