Carlos Hernán García o "Canán": An imagination overwhelmed by dreams
##plugins.themes.bootstrap3.article.sidebar##
PDF (Español (España))
FLIP
HTML (Español (España))
When submitting the articles, the author or authors agree to transfer the copyright to the Paideia Surcolombiana Journal, for its publication and dissemination in printed or electronic version.
The statements and opinions and expressed in the articles belong to the authors in question and do not represent the opinions and scientific policy of the School of Education in Universidad Surcolombiana.
This work is under license Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0.
##plugins.themes.bootstrap3.article.main##
When people talk about dreams made through the visual arts, our memory brings to mind the works of European and Latin American artists who have worked within the veristic tendency of Surrealism; that is, those works that we can associate with elements and beings from our surrounding world. Such is the case of Salvador Dalí, Rene Magritte, Paul Delvaux, Max Ernest, Maria Izquierdo, Frida Kahlo, Mercedes Varo, Leonora Carrington, Leonor Fini or the Huilenian painter Filomeno Hernández.
Downloads
##plugins.themes.bootstrap3.article.details##
COMTE DE LAUTRÉAMONT (Isidoro-Lucien Ducasse). Los cantos de Maldoror, canto VI, I. Madrid, Ed. Catedra, 1988, pág. 295.
