Folds of cruelty: re/contextualized, radical and metonymic testimonies of domestic violence
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The purpose of this essay is to give meaning to the ilustrations in this edition No. 28 of the Paideia Surcolombiana Journal. To this end, I propose a reflection on the ways in wich Colombian artists create images that represent domestic violence, insome of their visual practices. As background, in the introduction I cite two works by the Mexican artist Frida Kahlo (1907-1954, Coyoacán, México City). Then, as outstanding examples at the national level, I mention the re/contextualized testimonies recorded by Claudia Ortiz Prieto (1965, Bogotá). And culminated with the metonymic testimonies created by Gloria Liliana Calderón Torres (1980, Gigante, Huila).
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